Review of Richard Linklater’s “Hit Man”

Richard Linklater’s latest Netflix release, “Hit Man,” is a peculiar blend of dark comedy and crime drama that showcases his unique directorial flair. The film centers around Gary Johnson (played by Glen Powell), a mild-mannered philosophy professor who moonlights as an undercover hitman for the police. Powell delivers a charismatic performance, effortlessly balancing the duality of his character with a mix of charm and intensity. His chemistry with co-star Adria Arjona, who plays a femme fatale drawn into his world, adds a layer of intrigue and tension to the narrative.

The film’s strength lies in its quirky, offbeat humor and the clever dialogue that has become a hallmark of Linklater’s work. The screenplay, co-written by Linklater and Powell, provides sharp wit and occasional moments of introspection that elevate the otherwise conventional plot. Cinematographically, “Hit Man” is visually engaging, with Linklater’s keen eye for detail and atmosphere shining through.

However, “Hit Man” isn’t without its flaws. The pacing feels uneven at times, with certain scenes dragging on longer than necessary while others feel rushed. The narrative occasionally loses focus, trying to juggle too many subplots that don’t always coalesce seamlessly. While the characters are interesting, some of their arcs feel underdeveloped, leaving viewers wanting more depth and resolution.

Despite these issues, “Hit Man” is an entertaining watch with enough originality and charm to keep viewers engaged. It’s a film that doesn’t take itself too seriously, offering a fresh twist on the hitman genre with a dose of Linklater’s signature style. While it may not be his best work, it’s a solid addition to his diverse filmography.

In summary, “Hit Man” scores a 6.5/10 for its engaging performances, clever dialogue, and unique premise, despite its pacing issues and occasional lack of narrative cohesion. Fans of Linklater and those looking for a darkly comedic crime drama will find it worth their time, even if it falls short of greatness.

Score: 6.5/10